Sher on Girya-o-zari
The act of wailing is
an expression of human misery. It is, however, typically associated with lovers. He keeps lamenting over his separation from the beloved. It is one of the stock themes of classical poetry. Here are some examples
rote phirte haiñ saarī saarī raat
ab yahī rozgār hai apnā
rote phirte hain sari sari raat
ab yahi rozgar hai apna
maiñ ronā chāhtā huuñ ḳhuub ronā chāhtā huuñ maiñ
phir us ke baad gahrī niind sonā chāhtā huuñ maiñ
main rona chahta hun KHub rona chahta hun main
phir us ke baad gahri nind sona chahta hun main
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Tags : Aab Deedahand 3 more
āñkheñ ḳhudā ne baḳhshī haiñ rone ke vāste
do kashtiyāñ milī haiñ Dubone ke vāste
aankhen KHuda ne baKHshi hain rone ke waste
do kashtiyan mili hain Dubone ke waste
nikal ga.e haiñ jo bādal barasne vaale the
ye shahr aab ko tarsegā chashm-e-tar ke baġhair
nikal gae hain jo baadal barasne wale the
ye shahr aab ko tarsega chashm-e-tar ke baghair
kyā kahūñ dīda-e-tar ye to mirā chehrā hai
sañg kaT jaate haiñ bārish kī jahāñ dhaar gire
kya kahun dida-e-tar ye to mera chehra hai
sang kaT jate hain barish ki jahan dhaar gire
ahvāl dekh kar mirī chashm-e-pur-āb kā
dariyā se aaj TuuT gayā dil habāb kā
ahwal dekh kar meri chashm-e-pur-ab ka
dariya se aaj TuT gaya dil habab ka
rone pe agar aa.uuñ to dariyā ko Dubo duuñ
qatra koī samjhe na mire dīda-e-nam ko
rone pe agar aaun to dariya ko Dubo dun
qatra koi samjhe na mere dida-e-nam ko
zabt-e-girya kabhī kartā huuñ to farmāte haiñ
aaj kyā baat hai barsāt nahīñ hotī hai
zabt-e-girya kabhi karta hun to farmate hain
aaj kya baat hai barsat nahin hoti hai
sun ke har samt siskiyāñ maiñ ne
jaane kyoñ kar liiñ dūriyāñ maiñ ne
sun ke har samt siskiyan main ne
jaane kyon kar lin duriyan main ne
raat din jaarī haiñ kuchh paidā nahīñ in kā kanār
mere chashmoñ kā do-ābā majma-ul-bahrain hai
raat din jari hain kuchh paida nahin in ka kanar
mere chashmon ka do-aba majma-ul-bahrain hai